Showing posts with label Warp. Show all posts
Showing posts with label Warp. Show all posts

Thursday, 27 February 2020

X GENERAL CONVENTIONS1 Titles, Idents, Production Context

IDENTS

WHAT ARE IDENTS?

Idents are essentially the logo of a production company which is played at the beginning of a movie.  They are the most simple aspect of a film opening.  An ident usually lasts between 4-7 seconds and there are usually 2-4 idents before the movie starts.  The more production companies involved in making the movie, the more the risks are spread.  Indie movies occasionally have no idents at the beginning.  The bigger conglomerates such as the Big 5 (Warner Bros., Paramount, NBC Universal, Sony and Walt Disney) get a lot more screen time for their idents rather than smaller junior companies.  The Big 5 are also more likely to have their own jingle rather than an audio bridge.

WHAT IS THE POINT OF AN IDENT?

They are placed at the beginning of a movie to show which production companies were involved in the making of the movie.  Idents are also used to advertise the production company.  Idents are often made aesthetically pleasing and enticing to make them memorable.  The fact that Big 5 idents are repeatedly marketed also helps to make them memorable.  The production company wants to make a good impression so that people are tempted to watch more of their creations.  Idents can also be altered to connote the genre of the movie.  This is mostly identifiable with the Slasher genre.

VODCAST
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POSSIBLE INFLUENCES
  • Having possibly 1 or 2 idents with their own jingle
  • Having 1 ident with audio bridge to movie
  • Considering our film opening can't be that long, probably a maximum of 10 seconds per ident
  • Possibly having something altered about the ident to connote the zom-rom-com hybrid genre
COMMON IDENTS
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via GIPHY
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via GIPHY
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via GIPHY
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TITLES

In this vodcast, I speak about the titles in different movies.  I've looked at some Working Title movies as well as Warp movies.  It is clear that a title is very important as it anchors the genre and the preferred reading.  This is shown through the font, colour, size and case.  It is interesting as a few movies don't have any titles at all.  The order is also important to look at as this will help us create our film opening.  I look at Tyrannosaur (Considine, 2011), This is England (Meadows, 2007) and Four Lions (Morris, 2010) from Warp and Bridget Jones's Diary (Maguire, 2001) from Working Title.
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Friday, 13 December 2019

X INDUSTRY4 + AUDIENCE1 BBFC and MPAA

It appears that age ratings are harsher on indie movies rather than movies produced by the Big 5  (20th Century Fox, Paramount Pictures, Walt Disney Pictures, NBC Universal and Warner Bros.).  In this blog post I will be looking at different movies from the Big 5 conglomerates, NBC Universal and Warner Bros. as well as indie movies from the production company Warp.

BBFC RATINGS
BBFC ratings
MPAA RATINGS

MPAA ratings
BRIDGET JONES'S BABY

Often, the age rating won't be the same in different countries due to the culture and how that country views specific topics.  For example, the movie Bridget Jones's Baby, directed by Sharon Maguire and released in the year 2016, has different age ratings in different countries.
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BBFC

BBFC Bridget Jones's Baby


MPAA
MPAA Bridget Jones's Baby (IMDb)


MPAA Bridget Jones's Baby (Parent Previews)

The BBFC (British Board of Film Classification) rated Bridget Jones's Baby a 15 for the use of strong language and sex references, however, MPAA (Motion Picture Association of America) rated it R, meaning people under the age of 17 require an accompanying parent or guardian.

OTHER
Other certifications








In Germany, anyone can watch this movie however, in Russia, the age rating is 18+.

THE WORLD'S END
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BBFC

BBFC The World's End











MPAA
MPAA The World's End (IMDb)





MPAA The World's End (Parent Previews)




































OTHER
Other Certifications










THE DARK KNIGHT
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BBFC
BBFC The Dark Knight








MPAA
MPAA The Dark Knight



OTHER
Other Certifications


















The tentpole movie, The Dark Knight, directed by Nolan and released in the year 2008 has an arguably ridiculous age rating. There is a lot of gore and violence, for example, a scene where the Joker impales someone in the eye with a pencil.  If this was an indie movie, the rating would almost definitely be much higher.  Critics believe this movie should be at least a 15, however BBFC defended their ratings.

THIS IS ENGLAND
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BBFC


BBFC This is England











OTHER
Other Certifications

Thursday, 12 December 2019

X INDUSTRY3 Digitisation of the film industry

WARP

  • Warp X and Warp Australia are subsidiaries of Warp Films
  • Le Donk and Scor-Zay-Zee (Meadows, 2009)
    • £48k budget and 5 day shoot
  • Warp X
    • Founded 2005
    • Digital film studio
    • Budgets usually between £400k and £800k
  • Filmography

  • UK Film Council
    • Now BFI (British Film Institute)
    • Encourages development in British film
    • Uk Film Council and National lottery gave a fund to Warp X to produce digital movies
      • A lot cheaper - each movie print was roughly £5k - now blu-ray, hard drive and streaming are practically free
      • Benefits indies as it is a lot cheaper
    • Usually movies do a US release before the rest of the world - Avatar (Cameron, 2009) challenged this and had a worldwide release at the same time.

Wednesday, 30 October 2019

X INDUSTRY2 Why Working Title is and Warp isn't successful

Working Title
Warp
  • Star-power
    • BRIDGET JONES'S DIARY (Maguire, 2001)
      • Hugh Grant, Renée Zellweger, Colin Firth
        • Can afford A-listers (budget of $26m)
        • Use for star billing on advertisement (posters)
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    • LE DONK AND SCOR-ZAY-ZEE (Meadows, 2009)
      • No A-listers
        • Can't afford (budget of only £48k)
        • Doesn't appeal to audience as much

  • CGI and SFX
    • PAUL (Mottola, 2011)
      • Sci-fi comedy genre
      • Can afford to use CGI and SFX (budget of $40m)
      • Appeals to audience
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    • No movie with CGI or SFX

  • Product Placement
    • ABOUT A BOY (Chris Weitz and Paul Weitz, 2002)
      • Product placement of Bang and Olufsen and Phillips 
      • Companies use these Big 5 movies to advertise their products

    • No movie with product placement
      • Their movies don't get a lot of recognition so companies won't bother paying them to include their products

  • Tie-ins
    • BRIDGET JONES'S BABY (Maguire, 2016)
      • Softis toilet role tie-in
      • Poster for Bridget Jones's Baby on the packaging
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    • No movie with tie-ins

  • Tentpole/Budget
    • GREEN ZONE (Greengrass, 2010)
      • Starring Matt Damon
      • Tentpole (budget of $100m)


  • Genre
    • SHAUN OF THE DEAD (Wright, 2004)
      • Can afford to do any genre they want ($6.1m)
      • Even hybrid genres such as the zom-rom-com
      • Don't show as many representations
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    • TYRANNOSAUR (Considine, 2011)
      • Can't afford to do different genres (£750k)
      • Mainly stick to social realism genre
      • Show different representations

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  • Horizontal Integration

  • Vertical Integration
    • NBC Universal an example of vertical integration
      • Working Title being a production company
    • Warp does not own distribution and exhibition/exchange companies

  • IP
    • LES MISÉRABLES (Ly, 2019)
      • Originally a novel
      • Can afford to pay intellectual property (budget of $61m)
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    • Can't afford to pay IP

  • China
    • Second biggest film market in the world
    • A quota of 34 movies per year 
    • Working Title could achieve this
    • Warp could never

Sunday, 6 October 2019

X INDUSTRY1 Factors that influence Box Office

WARP
  • Why Warp can't produce any genre besides social realism and horror - (and comedy - 4 Lions -'suicide bomber comedy' 
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  • Warp X makes lots of horror - similarity between horror and social realism - both lack CGI, IP, stars. Warp X doesn´t have access to a high budget and has to stick to these genres as they have a lack of budget.
  • If they were bought by a conglomerate, they would be able to diversify to different genres.
WORKING TITLE
  • Working Title have the budget to diversify into different genres. 
  • They can use CGI and SFX for Sci-Fi genres such as in Paul
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  • They also can afford IP such as the Bridget Jones franchise as it was originally a novel
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BILLIE ELLIOT 
  • Outliar for Working Title - WT2 - low budget end - Psuedo Indie 
  • Low budget and social realism (around $2m budget)
  • Grim setting, accents, working class
  • Appealed because of feel good ending - ties in with American Dream
  • Warp don't usually have feel good endings
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